A priest wakes repeatedly from a dream in which he sees attractive, partially-disrobed man in his room. The hypnotic repetition and anxiety of his vision gains tension from the minimalist score.

Based on David Shrigley's graphic novel 'Man in a Room'. A man in his room wants to live a decadent life and ignore people and the rules of God. He lays in bed, gets drunk and telephones prostitutes. His only friends are a Spider that dances in his ceiling and a Rat that watches him form a hole in the wall. One day a strange apparition will demand him to change his life and save himself.

In the sixth installment of the Criterion Channel's Meet the Filmmakers series, director Alex Ross Perry (Her Smell, Listen Up Philip) visits the ever-iconoclastic auteur Paul Schrader during the making of his 2017 masterpiece First Reformed. On set and at home- where, for his own pleasure, he continues to work and rework his previous films- Schrader reflects on the highs and lows of his legendary career, the challenges and rewards of slow cinema, and the influences and experiences that continue to shape his approach to filmmaking. With this insightful portrait of one of his filmmaking heroes, Perry captures an artist who is continually at play, intentionally provocative, and never less than vital.

The Man in Room 17 is a British television series which ran for two seasons in the mid-1960s, produced by the Northern ITV franchise, Granada Television. Key to the series' success was the involvement of writer/producer Robin Chapman.The show was set in Room 17 of the Department of Social Research, where former wartime agent-turned-criminologist Edwin Oldenshaw solved difficult police cases through theory and discussions with his assistants.The novelty of the series was that Oldenshaw and his colleagues never needed to leave their office in order to resolve cases, preferring to spend their time playing the Japanese board game of Go. They simply provided their prognosis and left the police to do the cleaning up. Different directors were often appointed to film the Room 17 and outside-world scenes independently, to maintain a sense of distance between the two worlds.

Carrie (Jackie Kelly) is a socially-troubled young woman trying to mend a strained relationship with her mother. After her grandfather dies in a nursing home, Carrie finds herself attracted to William (Bill Oberst Jr.), an elderly man in a neighboring room. William's doctor offers Carrie a part-time position with the nursing home to keep tabs on the old man. William shares a series of tall tales from his life as a younger man. He claims to be immortal, cursed to never die but to grow old and sick. Before he can finish his final tale, William mysteriously disappears, and Carrie is implicated in his murder.

A game of references and a tribute to director Jacques Demy. It’s also an opportunity for the two directors to recall Demy’s A Room in Town (the film’s namesake) and The Umbrellas of Cherbourg and the importance these movies had for them.

A woman discovers that her husband has rented a flat in London for his mistress, and sets out to catch him in the act

Harry Enfield and Paul Whitehouse tell the true story of Britain’s evolution over the last century through the life of the BBC, by turning complete fictions into a staggering array of hard facts.

Accused of treason, a former U.S. intelligence officer based in London tries to clear his name, taking on freelance jobs around Europe as he searches for answers.

A look behind the scenes at the several-year journey of making Trevor and Carrie Juenger's horror fantasy epic The Man in Room 6.